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1978
Directed by Alan Parker
Synopsis
Walk into the incredible true experience of Billy Hayes. And bring all the courage you can.
Billy Hayes is caught attempting to smuggle drugs out of Turkey. The Turkish courts decide to make an example of him, sentencing him to more than 30 years in prison. Hayes has two opportunities for release: the appeals made by his lawyer, his family, and the American government, or the "Midnight Express".
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- Cast
- Crew
- Details
- Genres
- Releases
Cast
Brad Davis Irene Miracle Bo Hopkins Paolo Bonacelli Paul L. Smith Randy Quaid Norbert Weisser John Hurt Mike Kellin Franco Diogene Michael Ensign Gigi Ballista Kevork Malikyan Peter Jeffrey Joe Zammit Cordina Yashaw Adem Raad Rawi Tony Boyd Zannino Mihalis Giannatos Vic Tablian Ahmed El Shenawi
DirectorDirector
Alan Parker
ProducersProducers
David Puttnam Alan Marshall
WritersWriters
William Hoffer Billy Hayes Oliver Stone
Original WritersOriginal Writers
William Hoffer Billy Hayes
EditorEditor
Gerry Hambling
CinematographyCinematography
Michael Seresin
Executive ProducerExec. Producer
Peter Guber
Production DesignProduction Design
Geoffrey Kirkland
Art DirectionArt Direction
Evan Hercules
ComposerComposer
Giorgio Moroder
Costume DesignCostume Design
Milena Canonero
MakeupMakeup
Penny Steyne Mary Hillman
HairstylingHairstyling
Pat Hay Sarah Monzani
Studios
Columbia Pictures Casablanca Filmworks
Countries
UK USA
Primary Language
English
Spoken Languages
English French Maltese Turkish
Alternative Titles
Fuga di mezzanotte, O Expresso da Meia-Noite, El expreso de Medianoche, Полуночный экспресс, Expresso da Meia-Noite, El Expreso De Medianoche, 12 Uhr nachts - Midnight Express, 午夜快车, มิดไนท์ เอ็กซ์เพรส, El expreso de medianoche, Éjféli expressz, Geceyarısı Ekspresi, Το Εξπρές του Μεσονυχτίου, Půlnoční expres, אקספרס של חצות, 미드나잇 익스프레스, Опівнічний експрес, Expreso de medianoche, Среднощен експрес, ミッドナイト・エクスプレス, Vidurnakčio ekspresas, Expresul de la miezul nopții, L’Exprés de Mitjanit, Tàu Tốc Hành Nửa Đêm, Keskiyön pikajuna
Genres
Drama Crime
Themes
Crime, drugs and gangsters Politics and human rights Intense violence and sexual transgression Brutal, violent prison drama Violent crime and drugs Racism and the powerful fight for justice Graphic violence and brutal revenge Show All…
Releases by Date
- Date
- Country
Premiere
18 May 1978
- FranceCannes FilmFestival
20 Sep 1978
- Canada18AToronto International FilmFestival
Theatrical limited
12 Sep 1978
- Spain
Theatrical
31 Aug 1978
- Netherlands16
01 Sep 1978
- FinlandK-18
13 Sep 1978
- France16
16 Sep 1978
- Sweden15
20 Sep 1978
- Greece
22 Sep 1978
- Ireland18
28 Sep 1978
- Belgium
06 Oct 1978
- Brazil18
- UK18
- USAR
21 Oct 1978
- JapanR-15
27 Oct 1978
- Denmark15
28 Oct 1978
- ItalyVM18
07 Dec 1978
- AustraliaR 18+
18 Dec 1978
- Spain18
10 May 1979
- Colombia15
29 Sep 1979
- Germany16
03 Apr 1980
- Argentina18
19 Jun 1980
- Mexico
31 Aug 1996
- South Korea19
Digital
10 Dec 2016
- France
01 Jun 2021
- France16
Physical
20 Apr 1999
- FranceTP
02 Oct 2008
- Netherlands16
09 Sep 2009
- FranceTP
18 Apr 2012
- Netherlands16
TV
30 Mar 2002
- Netherlands16
Releases by Country
- Date
- Country
Argentina
03 Apr 1980
- Theatrical18
Australia
07 Dec 1978
- TheatricalR 18+
Belgium
28 Sep 1978
- Theatrical(Gent)
Brazil
06 Oct 1978
- Theatrical18
Canada
20 Sep 1978
- Premiere18AToronto International FilmFestival
Colombia
10 May 1979
- Theatrical15
Denmark
27 Oct 1978
- Theatrical15
Finland
01 Sep 1978
- TheatricalK-18(cut)
France
18 May 1978
- PremiereCannes FilmFestival
13 Sep 1978
- Theatrical16Visa CNC49535
20 Apr 1999
- PhysicalTPDVD
09 Sep 2009
- PhysicalTPBlu-Ray
10 Dec 2016
- DigitalVOD
01 Jun 2021
- Digital16Netflix
Germany
29 Sep 1979
- Theatrical16
Greece
20 Sep 1978
- Theatrical
Ireland
22 Sep 1978
- Theatrical18
Italy
28 Oct 1978
- TheatricalVM18
Japan
21 Oct 1978
- TheatricalR-15
Mexico
19 Jun 1980
- Theatrical
Netherlands
31 Aug 1978
- Theatrical16
30 Mar 2002
- TV16Net5
02 Oct 2008
- Physical16DVD
18 Apr 2012
- Physical16Bluray
South Korea
31 Aug 1996
- Theatrical19
Spain
12 Sep 1978
- Theatrical limited
18 Dec 1978
- Theatrical18
Sweden
16 Sep 1978
- Theatrical15
UK
06 Oct 1978
- Theatrical18
USA
06 Oct 1978
- TheatricalR
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Popular reviews
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Review by Tom Spearing ★★ 36
So here’s another widely respected classic that seems more than a little problematic to me. There’s much here that I really liked—the intro airport sequence is brilliantly put together: following our protagonist Billy Hayes as he attempts to smuggle 2kg of hashish out of Turkey; sweat beading down his forehead, heartbeat audibly thudding in his chest, trying his best to allay suspicion as he makes his way tentatively through customs. It’s a super tense and slickly orchestrated sequence that hooks the viewer’s attention and sets the scene really well. The film’s score is also fantastic—a pulsating series of synthesised compositions from Italian virtuoso Giorgio Moroder, who already by this point in 1978 was pioneering the “high energy” EDM sounds that…
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Review by Cole Duffy ★★ 2
So let me get this straight: a callow American student was caught smuggling drugs out of Turkey, was arrested, imprisoned, and later escaped. After all this, he wrote a book about his experiences which was then turned into a movie that made up a lot of bullshit and vilified the Turks beyond any levels of believable credibility?
Billy Hayes (the student) and Oliver Stone (the writer) have both apologized for the hateful and downright reckless portrayals of all the Turkish people in the film, but that combined with a deeply uninteresting and unlikable “hero” makesMidnight Expressa lame duck of a film with nothing much going for it.
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Review by chavel ★★★★ 15
Midnight Express has been perceived through the years as either a 70’s prison movie classic or as an overcooked melodrama of injustice. Pleeeassse, it's the former. The film, directed by Alan Parker and penned by first-time screenwriter Oliver Stone, caused quite a stir at its 1978 Cannes Film Festival premiere but divided critics. The studio continued to lack faith in its box office potential due to its harsh themes and almost demanded a very commercialized adventure ending (that was discarded), but audiences found it a sensation anyway. The film was nominated for several Academy Awards including Best Picture and for Director Parker, and won for Best Screenplay by Stone and Best Original Score by Giorgio Moroder.
Parker and Stone have…
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Review by Quintin ★★★ 1
I love how I thought this movie was going to be about trains because of the title and then 30 minutes into the film they say idiots think Midnight Express means a train.
Wasn't expected to get absolutely roasted by a film.
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Review by ChandraKanth❄ ★★★★
It is striking and painful to watch the ordeal of Billy Hayes.
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Review by Sam ★★★ 8
Midnight Express is a perfectly fine movie elevated by some terrific chasing sequences and ferociously perfect editing. I can definitely see why this movie was a hit and a Best Picture nominee back in 1978. Not only is this movie a crowd-pleaser, but it also resembles the 70s and what they had to offer with cinema really well. Even though it is pretty depressing, it has a lot of mainstream appeal to it. It’s a product of its time but I don’t mean that in a negative way. The grainy look, the music, the lead performance, and the style all feel very 70s. It’s one that definitely holds your attention well when it has its moments of excitement. The storyline…
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Review by bearwalkr ひ ★★★ 3
bro fr got a half life sentence over sum zaza 😭😭😭😭 (snokin a blunt for u right now billy i got u)
(its currently 7:58AM and I've been up for like 36 hours 💔 (since watching the house that jack built 😳) and I do not have the energy or brain compacity to come up with my own thoughts 🫡 so ima give my homie chatgpt a try at writing it 🫡)
here's the prompt I gave da homie chatgpt: "𝙬𝙧𝙞𝙩𝙚 𝙖 𝙧𝙚𝙫𝙞𝙚𝙬 𝙩𝙝𝙖𝙩 𝙞𝙨 3 𝙨𝙩𝙖𝙧𝙨 𝙤𝙣 𝙡𝙚𝙩𝙩𝙚𝙧𝙗𝙤𝙭𝙙 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙛𝙞𝙡𝙢 "𝙈𝙞𝙙𝙣𝙞𝙜𝙝𝙩 𝙚𝙭𝙥𝙧𝙚𝙨𝙨 (1978)" 𝙢𝙖𝙠𝙚 𝙞𝙩 𝙛𝙪𝙣𝙣𝙮 𝙖𝙣𝙙 𝙨𝙝𝙤𝙧𝙩." (ong dont judge me im not good at writing prompts yet 🤓🤓🤓🤓)
and heres what bro bro came up with:…
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Review by Josh Gillam ★★★
After being caught trying to smuggle hashish while on holiday, American student Billy Hayes (Brad Davis) has to face life in a notoriously harsh Turkish prison, planning his escape every step of the way, in Alan Parker’s prison drama adapted by Oliver Stone from Hayes’ memoir and co-starring John Hurt, Randy Quaid and Irene Miracle.
Though the film is incredibly bleak, it’s a powerful look at never giving up despite the odds, with Hayes attempting to keep strong despite his increasingly dire circumstances. Davis is able to make this struggle come to life, bringing a brooding yet naive quality that makes the character’s gradual decline into haunted inmate all the more affecting, even if it’s hard to really connect to…
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Review by Steven Sheehan ★★★ 7
The more interesting part of Midnight Express is the actual true story of Billy Hayes, a naive student who took the risk of his life and lost. On a rewatch some years after first seeing it, the power of his story remains the same, what has changed are feelings about how it is told. What at first felt like a convincing tortured performance, now looks far too melodramatic.
It should have been the springboard of success for Brad Davis, who played Hayes in the film, yet his next notable role was in Chariots of Fire three years later. He overacts many of the films key moments which are not structured around much of an insight into his friendships or overall…
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Review by 20oldboy03 ★★★½
English Version below🟠🟢🔵
Eine Ankündigung wie ein Vorbote –
der die Ohren spitzt gelauschter Aussprache –
Sie bestätigend die Zeilen –
der TV-Media mit den niedergeschriebenen Zeilen:- gleich nach der Veröffentlichung wurde besagter Film in der Türkei verboten und erst im Jahre 1993 auf den Privatsender HBO ausgestrahlt –
die Kinderaugen gierend danach –
und sie endlich befriedigend rasenden Pulses –
Die ausgesprochenen Worte des Papas währenddessen hallend im Kopf:- Verboten in der Türkei!
- Aufschrei!
- Skandal!mit den heute untermauernden:
- bei meinem damaligen Kinobesuch 78 musste die Polizei anrücken die wütende, die Vorstellung stoppen wollende Meute, aufzulösen.
und meinen eigenen abschließenden:
Der damalige Impact als ein schauerndes Kribbeln mit auf dem Weg bekommender Vorboten für…
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Review by shookone ★★½
surprised to read this grim piece actually won two Oscars back in the late 70s, read somewhere this is even considered oscar-bait material. how so? this isn't particularly good vibes cinema, also the social commentary is rather abstract, playing out in a exotic, distant world.
it's a weird film, carried by a superior Giorgio Moroder score while obviously being unreflective and blind about the depiction of the places and people it's situated in. called out as racist nowadays I'd say with some smarter decisions this could have probably went somewhere substantial.
good example of how the power of the "based on a true story" tag always was way too strong in generating commercial traffic.
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Review by Daniel Malpica Santander ★★★★½ 1
Representa a escala el comportamiento humano y la transformación psicológica generada por la violencia, la tortura y la reclusión en un prisionero que pese a ser culpable, y aunque no no fuera, nadie merece un trato igual o similar a ese.
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